时间:2014年11月地点:中国传媒大学一《文心雕龙》中《物色》一篇,在刘勰的创作论中有重要的地位,在中国古典美学发展史上,有独特的价值与意义,值得深入探讨。《物色》一篇,专论物、情、辞三者之关系。不仅论述了物对心(情)的感发作用,同时也论述了心(情)对物的驾驭与升华功能,并将文学创作的语言表现问题(辞)置于主客体的交融互动中加以探索,首次在中国古典美学发展史上提出了审美主体的构形能力问题。“物色”即指自然物象。从《物色》全文而言,“物”就是自然景物,而“色”则借用了佛学概念。在佛学中,“色”指物质现象,就佛学 Time: November 2014 Venue: “Looking Away” in Communication of the Chinese Culture and Culture, an important part in Liu Xie’s theory of creation, has unique value and significance in the development history of Chinese classical aesthetics, Worth exploring in depth. “Find” an article, monographs, love, speech the relationship between the three. It not only discusses the sensibility of the object to the heart, but also discusses the function of controlling and sublimation of the object, and puts the linguistic expression problem of literary creation in the interaction of subject and object Exploration, for the first time in the history of the development of Chinese classical aesthetics put forward the problem of the constitutional ability of aesthetic subjects. “Color ” refers to the natural image. From the “text” of the full text, “object ” is a natural scene, and “color ” borrowed the concept of Buddhism. In Buddhism, “color ” refers to the phenomenon of matter to Buddhism