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两年前,上海京剧院为北京大学生免费演出《曹操与杨修》,引起极大的轰动;去年,该院携此剧作为“上海京剧万里行”演出剧目之一来到广州,他们的创作实践和深刻体会,给羊城观众留下极深的印象,也给广州的文艺工作者留下无尽的思考。《曹》剧的成功,是对传统艺术如何焕发新的生命力,如何面对当代观众寻找新的精神沟通点的问题,作出了一份令人佩服的答案。
Two years ago, the Shanghai Peking Opera Theater gave a free performance of “Cao Cao and Yang Xiu” to Peking University Students. It caused a great sensation. Last year, the academy took the play as one of the repertory performances of “Shanghai Peking Opera Wanli” and came to Guangzhou for their creation Practice and profound experience, leaving a deep impression on the Yangcheng audience, but also to give Guangzhou literary workers endless thinking. The success of “Cao” plays is an admirable answer to how traditional arts can rejuvenate new vitality and face up to contemporary audiences looking for new spiritual communication points.