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在日本,经过二战后漫画出租书屋时代,伴随着以连载漫画为主体的少年杂志、少女杂志发行量的增大,漫画文化得以发展起来。现在,有人气的漫画在杂志上发表后,不仅被印成书,发行量高达十万乃至数百万册以上,而且还被制作成动画片,在电视节目、电影剧场中放映,此外,市场上还销售印有漫画人物图案的玩具、学习用具、食品等角色商品,这一切均产生了巨大经济效益。随之,围绕漫画的法律问题引起了人们的关注。本文翻译了三村量一先生的文章,以期对我国著作权立法、司法有所借鉴。
In Japan, manga culture was developed after the World War II cartoons were rented out of the bookstore era, accompanied by juvenile magazines featuring serialized comic books and the circulation of girls’ magazines. Now, after the popular comics are published in magazines, not only are they printed, with a circulation of 100,000 or even millions, they are also made into cartoons for screening on TV shows and movie theaters. In addition, on the market There are also sales of characters, toys, learning utensils and food products with cartoon characters, all of which have produced enormous economic benefits. As a result, the legal issues surrounding comics aroused people’s attention. This article translates the article of Mr. Miura, a volume, with a view to our country’s copyright legislation, judicature can learn from.