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法律与文学的交叉进路有助于民间法研究的深人开展。《西游记》反映了作者所处的明代社会的一些真实图景,折射了古代丰富的法律观念、社会心理和民间规范。《西游记》对玉帝形象的描述是民间社会对国家治理规则态度的写照。不同于道家神谱原有叙事,《西游记》中的玉帝拥有至尊地位,其残暴苛责的一面体现君主专制制度,而少作主张、无为而治的一面也体现了明代官僚制成熟运转的新特点。玉帝严加监察,注重规则治理。民间社会对此有一定认同,但无情无欲的天庭禁令也与民俗常情存在严重冲突,对玉帝治理秩序失衡的描述体现了民间对国家治理衰败的批判和人性解放思潮。民间习俗规范与国家法令也存在良性互动,有效维持着民间秩序,如太白金星的成功调解折射了明代申明亭调解制度的普及。
The crossroads of law and literature are helpful to the further development of civil law. Journey to the West reflects some of the real pictures of the Ming Dynasty society in which the author lived and reflects the rich legal concepts, social psychology and folk norms in ancient times. The description of Jade Emperor’s image by Journey to the West is a portrayal of the attitude of civil society toward the state governing rules. Different from the original narrative of Taoism, the Jade Emperor in Journey to the West has the supreme status. The brutal and reprehensible side embodies the monarchy, while the less controversial and non-effective rule reflects the mature operation of bureaucracy in the Ming Dynasty New features Jade Emperor strictly monitor, pay attention to the rule of governance. Civil society has some agreement on this, but the ruthless heavenly ban also has serious conflicts with the folk custom. The description of the imbalance of governance of Jade Emperor embodies the private criticism of the decline of state governance and the emancipation of human nature. There are also benign interactions between folk custom norms and state decrees, which effectively maintain the order of the people. For example, the successful mediation of Taibai Venus reflects the popularity of the mediation system of Shen Mingting in the Ming Dynasty.