在 世界美学由抽象思辨向具体实践战略转移的大潮中 ,我与李祥林初识于文艺美学研究的文字间。十多年来 ,我常从具体实践自下而上地概说川剧、戏曲及戏剧 ,他多用美学原理自上而下地解析戏剧、戏曲和川剧。共同的志趣与追求 ,令我俩殊途同归地走到一起 ,并经常旁若无人地高谈阔 In the tide of shifting the world aesthetics from abstract speculation to concrete practice, I and Li Xianglin first met the literary and artistic aesthetics. For more than a decade, I have often described Sichuan opera, drama and drama from a concrete perspective. From a top-down analysis of drama, opera and Sichuan opera, I used the principle of aesthetics. Common interests and pursuits make us both come together, and often talk loud and clear