“疯秧歌”最初传唱于凤阳地区,是一类体现淮河两岸风土人情的曲艺表演,原名“凤阳歌”。明清交替,民间艺人飘零江湖,也把这种舞蹈形式传开到中华大地。清朝中叶由安徽移民传播到了河北景县,与当地原有的民间舞艺、民俗文化相互融合,经过几代人的创作演绎,形成了自身欢快、豪放的舞蹈特征。本文对“疯秧歌”的形成历史、动作特点、表演形式、发展现状等做了详细介绍,同时结合“疯秧歌”的处境分析了当前中国民间传统民俗文化传承过程中遭遇的问题,以期对民间非物质文化遗产的保护研究起到抛砖引玉的作用。 “Crazy Yangge ” was originally sung in Fengyang area, is a kind of performance of the folk arts show both sides of the Huai River, formerly known as “Fengyang song ”. Alternating Ming and Qing dynasties, folk artists wandering rivers and lakes, but also spread this form of dance to the vast land of China. From the middle of the Qing Dynasty, Anhui immigrants spread to Jingxian County, Hebei Province. They merged with the local folk dance and folk culture. After several generations of creative interpretation, they formed their own cheerful and bold dance features. This article gives a detailed introduction to the forming history, the characteristics of the movement, the form of performance and the current situation of the development of “Crazy Yangge” and analyzes the problems encountered in the process of the inheritance of the Chinese traditional folk culture in combination with the situation of “Crazy Yangko” , With a view to study the protection of folk intangible cultural heritage play a pioneering role.