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邓福星(中国艺术研究院学术委员会副主任、博士生导师):朱松发的绘画可当之无愧的称之为“写意”。不是“描摹”出来的,不是“作”出来的.而是“写”出来的。他的画又耐得住琢磨.因为确实写出了中国画应有之“意”。意者.意蕴、意境、意趣是也。正是那些或淋漓酣畅,或枯涩峻增的笔墨形式,造成深沉、厚重之感.传递了某处静默抑或不安的深邃意象,愈想穷尽其意.愈感到有些不可参透的奥秘。画中的意究竟是什么呢?那是作者大半生吸吮了皖南的乡风乡俗和徽州的古老文化而酿成的皖南情结;那是作者对叹为观止的最优美的黄山风光以及皖南民居的深深感悟:那其实就是作者“自我”.一个在艺术的山路上孜孜矻砣,踽踽跋涉的艺术信徒的心灵披露。
Deng Fuxing (Deputy Director of Academic Committee of China Academy of Art, PhD supervisor): Zhu Songfa’s paintings can be well-deserved as “freehand brushwork”. Not “traced” out, not “made” out, but “write” out. His paintings are durable and pondering, because he really wrote the “meaning” of Chinese painting. Italian meaning, mood, interest is also. It is the form of brushwork that is dripping or drunken, or increasing in size, causing a sense of deepness and heavyness, and passing some profound image of silence or anxiety, the more you want to exhaust your meaning, the more you feel it. What is the meaning of the painting actually? That is most of the author suck the rural customs of southern Anhui and Huizhou ancient culture caused by the Southern Anhui complex; that is the author of the breathtaking view of the most beautiful Huangshan and South Anhui residential deep Deeply sentiment: It is actually the author’s “self.” A spiritual revelation of art worshipers who work diligently and artistically on the artistic mountain roads.