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在2010年底,在广州大剧院落成不久,本刊通过email,向Zaha Hadid Architects(ZHA)北京银河SOHO项目组中的建筑师温韬,提出了关于ZahaHadid、她的公司以及她的作品等诸多问题,希望从一位ZHA公司员工的角度,解读Zaha在中国的建筑创作。他以感性的方式描述了两位公司领导者以及ZHA公司的真实生活,使我们对Zaha有了更加近距离的感受;他同时以理性的方式阐述了自己如何看待Zaha在建筑设计中的努力和贡献,并延伸至对普利茨克奖以及中国城市的理解,值得玩味。
Shortly after the completion of the Guangzhou Grand Theater at the end of 2010, we published a number of questions about ZahaHadid, her company and her work via email to Wen Tao, an architect in the Galaxy Project in Beijing at Zaha Hadid Architects (ZHA) , Hoping to interpret Zaha’s architectural creations in China from the perspective of a ZHA employee. He described the real life of the two company leaders and ZHA in a sensual way, giving us a closer look at Zaha; at the same time, he set out in a rational way how he saw Zaha’s efforts in architectural design and Contributions, and extend to the Pritzker Prize and the understanding of Chinese cities, it is worth pondering.