艺术形象一旦与图解沾上边,那就一定意味着创作者对于现实中活生生的人及人物关系有了曲解。青年银幕形象中煜煜闪光者有之,但不多,原因何在?大概还在于当代青年缺少真知乃至真情。有些电影创作者只是觉得青年观众多,不写青年会影响卖座率,于是勉强写去,不外乎SANYO收录机,漂亮的小轻骑,加上前仰后合的笑,‘男声女气,女声嗲气’的闹……,以为这么一拼凑,差不多就象个‘_解放牌’青年了。殊不知,这实在过于低廉:迎合——不可能产生真艺术! Once the image of the art is attached to the graphic, it must mean that the creator has misinterpreted the relationship between the living person and the person in reality. There are many but not many flash images in the young screen images, and what are the reasons? Perhaps the reason lies in the lack of true or even true feelings of contemporary youth. Some movie creators just think that young viewers, do not write the youth will affect the block rate, so reluctantly write, nothing more than SANYO tape recorders, pretty little Qingqi, plus forward laughter, ’male voice, female tone’ Downtown ......, think so patchwork, almost as a ’_ liberation card’ youth. As everyone knows, this is too low: catered to - impossible to produce real art!