就好像我国春秋战国时,越王勾践面对强大的吴王夫差时采取的“卧薪尝胆”战略而最终实现的复国抱负一样。华沙雕像的低头同样是一种坚忍、一种积蓄、一种等待时机以求一逞的姿态。在华沙,我们有一个困惑的发现:街头有许多艺术雕像,从总统府前到胜利广场,从大街小巷到公园河岸,各类人物雕像,包括国王、教皇、诗人、音乐家、战士等等,无一例外都是低头垂首,面色肃穆,给人一种沉闷压抑的艺术感受和视觉冲击。 Just as in the Spring and Autumn and the Warring States Period of the Spring and Autumn Warring States period, the more complex the ambition of the country to fulfill in the end is the “Revival” strategy adopted by the more powerful King Wu Gavin. Warsaw statue is also a kind of bow down, a savings, a waiting time for a successful gesture. In Warsaw, we have a puzzled discovery: there are many art statues on the streets, from the Presidential Palace to Victory Square, from the streets to the banks of the park, statues of all kinds, including kings, popes, poets, musicians, warriors, etc. , Without exception, are bow ande, looking solemn, giving a dull and depressed artistic experience and visual impact.