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随笔在中国现当代文学史上有两个兴盛时期,也可以说出现过两次高潮。20世纪二十年代初期,由于周氏兄弟(周作人、鲁迅)、林语堂、粱实秋、梁遇春、朱自清、郁达夫、徐志摩等一代文豪的参与和辛勤的耕耘,随笔呈现出空前繁荣的局面,这称为现代随笔(当时叫小品文)。至三十年代中期随笔则几乎变成了少数学者的书斋之语,其发展日趋艰难,逐渐式微,不久即为杂文所替代。随笔沉寂了整整半个世纪之后,到八十年代初期再次崛起,巴金的《随想录》可以说是随笔复归的标志,这时的随笔相对二三十年代的现代随笔而言则称为当代随笔。当代随笔与现代随笔在文学史上的出现都不是偶然的,其原因是多方面的,而共同的一点都
Essays in the history of modern and contemporary Chinese literature have two flourishing times, it can be said that there have been two climaxes. In the early 1920s, due to the participation and hard work of a generation of writers such as the Zhou brothers (Zhou Zuoren and Lu Xun), Lin Yutang, Liang Shiqiu, Liang Yuchun, Zhu Ziqing, Yu Dafu and Xu Zhimo, the essay showed unprecedented prosperity. This is called modern essay (then called essay). By the mid-1930s, essays almost became the language of study for a few scholars. Their development has become more and more difficult, gradual, and soon to be replaced by essays. Essays after a full half a century of silence, to the early eighties again rise, Ba Jin’s “Random Thoughts” can be said to be a symbol of essay, then the essays relative to the twenties and thirties of modern essays in terms of contemporary essays . Contemporary essays and modern essays in the history of literature are not accidental, for many reasons, but the common point