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一、沙基上的“自然”《喀拉布风暴》延续了红柯自然救赎的书写路径,但并不属出挑之作。实际的情形是,它把红柯书写的困境与尴尬放大了。小说开头便设置了一个爆炸性细节:与孟凯成婚在即的新疆精河姑娘叶海亚,听到口里男子张子鱼吟唱民歌《燕子》,随即抛下婚约,与张结合并同赴沙漠度蜜月。这突发喷薄的“爱情”在作者看来是相当“自然”的,他说:“叶海亚和孟凯相恋七八年,日子久了,难免激情淡漠,而人的内心,又总会渴望一些激情和
First, Shaki’s ”Nature“ and ”The Kraub Storm“ have continued the writing path of Hong Ke’s natural redemption, but they are not out of hand. The actual situation is that it enlarges the difficulty and embarrassment of Hong Ke writing. At the beginning of the novel, an explosive detail was set: Ye Haya, a girl from Xinjiang’s Jinghe city, who was married to Mengkai, heard that Zhang Zi-yu, a man singing in his mouth, sing folk song ”Swallows“ and immediately dropped his marriage contract. Honeymoon This sudden gushing ”Love “ appears to the author is quite ”natural “, he said: ”Ye Haiya and Meng Kai fell in love with seven or eight years, the passage of time, inevitably passionate indifference, and people Heart, and always desire some passion and