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孔飞力以1768年民间妖术大恐慌事件为镜,如抽丝拨茧般,自下而上,牵一发而动全身,立体地向读者展现了社会的不同阶层对于“妖术”一事的不同态度及所受影响。不仅涉及社会心理层面,而且由此窥探到乾隆时期官僚体制的上传下达系统,进而揭示专制主义中央集权的政治体制之流弊等深层次“母体”问题,试图为中国近代社会转型寻找蛛丝马迹。他以自下而上的“整体社会观”并结合传播学理论为读者献上了一道文化大餐。
Kong Fei force to 1768 folk art big panic events as a mirror, such as drawing plucked like, bottom-up, lead the whole body, the three-dimensional display to the reader the different social strata for Different attitudes and affected. This not only involves the social psychology, but also explores the deep “motherhood” problem of bureaucratic system of Qianlong period, revealing the abuses of the political system of autocratic centralism and trying to find clues for the social transformation in modern China. He presents a cultural feast to readers with bottom-up “whole social view” and the theory of communication.