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漫长的封建文化造就丑与美的对立,而现实中的美感来源于未满足的欲望:野心欲、性欲等。随着社会人伦观念的增强,在晚明社会形成一种人欲无节制的追求。在这样一个欲望横行、财富充裕的社会中充满了太多的“正常的”审美背景下,自然而然产生一种畸形的欲望,同时也反映出在男权社会中女性作为男性的附庸存在,而存在的目的是为满足男性的色欲需求,这里将男性的话语权搁置首位。《金瓶梅》中的三位女性人物的命名,类似于一种幽默讽刺的文字游戏,以符号性形式展现,以象征性寓意触及到了引发男性欲望的根源,蕴含着作者的整体构思,荷载着丰富的社会文化内涵,具有明显的象征寓意。
The long feudal culture created the antagonism between ugliness and beauty, but the aesthetic feeling in reality came from the unmet desire: ambition, sexual desire and so on. With the enhancement of the concept of human relations in society, a society in the late Ming Dynasty formed a kind of pursuit of unbridled desires. Under the aesthetic background that there is too much “normal ” in such a society full of desire and rich wealth, it naturally generates a desire for malformation, and at the same time, it reflects the existence of the male as a vassal of men in the patriarchal society. The purpose of existence is to meet the lust of men’s needs, where the right of men to lay the first place. The names of the three female characters in “Jin Ping Mei” resemble a kind of humorous satirical word game, which are presented in symbolic form. The symbolic meanings touch on the root causes of the male desires. They contain the author’s overall concept and are loaded with rich Social and cultural connotation, with obvious symbolic meaning.