崔志安擅用不同形状、不同大小的点散落于画面,如龟背竹叶面上不同大小的孔洞,荷塘里的莲蓬,漂在水面上的睡莲、花蕊、向日葵果实等等。在叶面的阴影处,他往往是积点成面,由于疏密有致,又产生一种明暗 Cui Zhian good at different shapes, different sizes of dots scattered on the screen, such as the size of the holes on the leaves of Monstera, Lotus in the lotus pond, water lilies floating on the water, stamens, sunflower fruit and so on. In the shadow of the foliage, he is often plotted into a point, due to density caused, but also produce a light and shade