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比较文学是从文学史中分离出来的,把比较文学视为文学史的一个分支,或者是文学史研究的一个辅助性学科,一直是比较文学法国学派的基本立场。法国文学史研究大家居斯塔夫.朗松尽管不在比较文学法国学派的代表人物之列,但由于比较文学法国学派的文学史研究性质,以及朗松本人在法国文学与外国文学影响关系的研究方面所取得的突出成就,使之成为比较文学法国学派公认的先驱人物。朗松的《龙萨怎样创造?》不仅是比较文学法国学派影响研究的一篇经典范例,而且对于比较文学法国学派的文学史研究性质产生了深远的影响。
Comparative literature is separated from the history of literature. To treat comparative literature as a branch of literary history or as an auxiliary discipline in the study of literary history has always been the basic position of the French-based comparative literature. Although most of the studies on the history of French literature are not included in the representative figures of the French School of Comparative Literature, Staatsonte, as a result of the nature of the study of the history of literature in the French school of comparative literature and the study of the relationship between Lansong himself and French literature and foreign literature The outstanding achievements made in this regard have made it a recognized pioneer figure in the French-based comparative literature. Lonseng’s “how Longosa was created?” Is not only a classic example of the comparative study of the influence of the French school, but also has a profound impact on the nature of the study of the history of literature in the French school of comparative literature.