“受伊斯兰文化风格影响的青花瓷在元明盛行,明代永宣时期达到顶峰,随后明天顺、成化、正德历朝都有此类瓷器出现。”青花瓷在唐代创烧时,有些绘画构图已初露西亚文化的端倪。受伊斯兰文化风格影响的青花瓷在元明盛行,明代永宣时期达到顶峰,随后明天顺、成化、正德历朝都有此类瓷器出现。对于明代各个时期瓷器具有伊斯兰文化元素的讨论,国内外陶瓷学者都曾有所论述。早在20世纪40年代,英国学者格雷就曾撰文论述近东金属器对明 “Blue and white porcelain affected by Islamic culture prevailed in the Yuan and Ming dynasties, and reached a peak in the Yong Xuan period of the Ming Dynasty, followed by tomorrow, Chenghua and Zhengde dynasties.” There are some paintings and compositions of blue and white porcelain when they were burnt in the Tang Dynasty Has been the beginning of Lu Xi culture. The blue-and-white porcelain influenced by the Islamic culture style prevailed in the Yuan and Ming dynasties and peaked in the Yong Xuan period of the Ming Dynasty. Subsequently, there was a series of such porcelain appearing in the Shun, Chenghua and Zhengde Dynasties. For all the Ming Dynasty porcelain with Islamic cultural elements of discussion, both domestic and foreign ceramic scholars have discussed. As early as the 1940s, Gray, an English scholar, wrote an article about Near East Metalware