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在中国古典戏曲史上,《长生殿》是一部公认的杰作。在以爱情为题材的戏曲作品中,《长生殿》又是其中的一个典型类别:帝王爱情戏曲。纵观中国古典戏曲史,以爱情为主题的代表性作品几乎都是悲剧,《长生殿》也不例外。但是与常人相比,作为“人上人”的帝王,其爱情悲剧自有其特殊性。本文主要运用戏剧符号学理论,为《长生殿》建立爱情行动素模式,并在此基础上从戏剧文本内部和外部对帝妃爱情的悲剧性原因进行分析。
In the history of classical Chinese opera, “Eternal Palace” is a recognized masterpiece. In the drama of love as the theme of the drama, “Palace of Eternal Youth” is one of the typical category: the king of love drama. Throughout the history of classical Chinese opera, almost all of the representative works on the theme of love are tragedies, and the Palace of Eternal Youth is no exception. However, compared with ordinary people, as the emperors of “people”, their love tragedies have their own particularity. This paper mainly uses the theory of drama semiotics to establish the model of love actinon for “The Palace of Saints”, and on this basis, analyzes the tragic reasons of the love of imperial concubines both inside and outside of the drama text.