在中国花鸟画发展历程中,“徐黄异体”一变,文人士大夫“托物寄兴”又一变,“青藤白阳”再一变。“黄筌富贵,徐熙野逸”所涉为审美风格的界定;北宋末期兰、竹、梅等文人画兴起,意味着新的绘画形式开始形成;而陈淳、徐渭的出现,标志着新的绘画形式、新的绘画方法、新的创作理念均已高度完备与成熟。“青藤白阳”对后世中国花鸟画,甚 In the course of the development of flower and bird painting in China, “Xu Huang different body,” a change, literati doctor “care supplies Xing ” another change, “Ivy White Yang ” change again. The definition of aesthetic style is involved in the rich Huang Xun and Xu Xi Ye Yi. The rise of literati like blue, bamboo and plum in the late Northern Song Dynasty means the formation of new painting forms. The appearance of Chen Chun and Xu Wei marks a new The form of painting, the new painting method and the new creation idea are all highly developed and mature. “Ivy white Yang” on the later Chinese bird painting, very