故实规鉴画是中国绘画中的重要类别,在这一类画作中始终存在着历史史实与政治规鉴之间的拮据关系。本文以故实规鉴画《锁谏图》为例,从文图关系的视角出发,通过对文字记录的史实和图像再现的画作进行比较研究,分析《锁谏图》中这种拮据关系对于其流变轨迹的影响,以及主导这种流变背后所体现的儒家君臣关系的转变。 Therefore, the practice of rules and regulations is an important category in Chinese painting. There is always a strained relationship between historical facts and political rules in this kind of painting. In this paper, we take the example of “Lock and Remonstrance” as an example, and from the perspective of textual relationship, through the comparative study of the historical records of text records and the works of image reproduction, The influence of the rheological trajectory and the change in the relationship between Confucianism and the monarchy that dominates this kind of rheology.