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文章以普桑《阿卡迪亚的牧人》这一绘画作品为切入点,结合图像学理论,从性别和观看模式的角度浅析这一作品。
The article takes Poussin’s “Arcadia’s Shepherd” as a starting point, and analyzes the work from the perspective of gender and viewing modes based on the theory of imagery.