本文从顺应论视角分析了德国著名剧作家布莱希特《四川好人》的汉译本,归纳探讨了在翻译该类特殊文本的过程中译者所采取的各种动态顺应,这些顺应在保留原文特色的同时大大减少了目的语读者的理解难度,表现了顺应论对戏剧翻译的指导性作用、强解释力,以及顺应论为翻译分析开辟的新视角。 This paper analyzes the Chinese version of Brecht’s Good Man in Sichuan from the perspective of Adaptation Theory and summarizes various dynamic adaptations taken by translators in the process of translating such special texts. While at the same time greatly reducing the comprehension difficulty of target readers, showing the guiding role of adaptation theory in drama translation, strong explanatory power, and the new perspective that adaptation theory opens up for translation analysis.