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这张专辑其实是戴佩妮蓄谋已久的一颗炸弹。终于时机成热,引发了一场爆炸。华语乐坛已经好久没有这样一位主流歌手可以改头换面组团挑战自我了。有人会说,有范晓萱&100%乐团的《赤子》,有张悬&Alqae乐团的《城市》。这两位都是好的代表,可惜的是她们最终没有放下自己的名字,她们作出的尝试来得不够彻底。从自资限量发行,可以看出佛跳墙的目的。没有迎合市场,不为讨好听众,只为完成一个简单的愿望,只为完成一份纯粹的纪念。这张作品不是个体与团体的结合,不是赤子或城市诗人,不是戴佩妮&D-Power,是那个世界上仅有的,黑暗的,美丽却短暂的——佛跳墙。
This album is actually a long-awaited Penny bomb. Finally the timing became hot, triggering an explosion. Chinese music has been a long time without such a mainstream singer can challenge themselves to challenge themselves. Someone would say that there is “Mild Son” of Mavis Fan & 100% Orchestra, and Zhang Chang & “City” of the Alqae Orchestra. Both are good representatives, but unfortunately they did not drop their names in the end, and their attempts were not thorough enough. From the limited edition of self-financing, you can see the purpose of Buddha jump the wall. Not to meet the market, not to please the audience, only to complete a simple wish, only to complete a pure memorial. This work is not a combination of individual and group, not a son or urban poet, not a penny & d-power, the only dark, beautiful but short-lived Buddha in the world.