笔墨是中国书画的特色精华、物化载体与精神折射。如果一幅作品中缺少笔墨,就难言成为传统的中国书画。两者在用笔和章法的错落处理上简直如同出一辙。最基本的也就是同为用线传力度,用形传情感,讲究线条与墨点的连贯性。两者用笔方法同为依靠手腕和手臂来控制行笔的速度,都是通过笔的中锋与侧锋、藏锋与露锋、顺锋与逆锋、转折与提按、拖笔与战笔,这些是数千年积累演进的技巧经验,形成书画的根本。同时,用墨和用笔是不能分离的,在国画中墨色运用非常 Pen and ink is the essence of Chinese painting and calligraphy, materialized carrier and spiritual refraction. If there is a lack of ink in a work, it is hard to be a traditional Chinese painting and calligraphy. Both use the pen and the law of the patchwork is exactly the same. The most basic is the same as the intensity of online transmission, with the shape transmission emotion, pay attention to the continuity of lines and dots. Both use the same method of pen to rely on the wrist and arm to control the speed of the pen, are through the pen center and side front, possession front and exposed front, front and back front, turning and mention press, drag and pen, These are thousands of years of accumulated experience in the evolution of skills, the formation of calligraphy and painting fundamental. At the same time, with ink and pen can not be separated, the use of ink in the painting is very