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在当前中国美术界,尤其是油画界,照片的利用已成普遍状态,由此带来一个严重的问题,即许多专家学者一致诟病的油画照片化问题。中国美术家协会前主席靳尚谊在参加完第十二届全国美术作品展览油画的评审后说:“现在摄影术发达,照片成像清楚,颜色也接近画的颜色,但是很多人不清楚,照着照片画与写生是两个概念——画照片是临摹不是写生,比写生容易,更重要的是,照片把现实的人物简单化了!看真人画画的感觉极其丰富,但拍照片就简化了,不可能像写生那样有意思,画出来丰富,因此,画照片永远达不到写生的效果。”吴冠中在他的《吴带当风》中也说:“身处大自然中,手挥五弦,目送飞鸿,艺术的创造欲恣
In the current Chinese art circles, especially the oil painting circles, the utilization of photos has become a universal one, which brings with it a serious problem that many experts and scholars unanimously criticized the issue of oil painting. Jin Shangyi, former president of the Chinese Artists Association, said after attending the 12th National Oil Painting Review of the National Art Exhibition that: ”Nowadays, photography is well-developed, the images are clearly imaged and the colors are close to the painted color, but many people are not sure Photo and sketch are two concepts - painting photos is copying is not sketching, easier than sketching, more importantly, the photos of the real people simplified! See live painting feeling extremely rich, but taking pictures is simplified , Can not be as interesting as painting, rich in painting, therefore, painting photos will never reach the sketch effect. “Wu Guanzhong also said in his” Wu Belongs When the Wind “:” In nature, Five strings, watched Fei Hong, the art of wanting to please