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口述是促进辰河高腔文本形成的内生力量。民间艺人运用特定的表演程式,以“条纲”为基础,在舞台上即兴发挥,编演新戏,其中的保留剧目通过口传心授成为口述作品。辰河戏文本经历了从口述到书面、从提纲戏到定本戏的演化路径,传世剧本呈现鲜明的口头文学特征。新中国成立后,基于口述而编撰整理的戏曲文本是艺人集体记忆的结果,剧目的发掘有不少值得反思之处。
Oral description is the endogenous force that promotes the formation of the eChen texts. Using specific performance programs, folk artists improvise on the stage and play new plays on the basis of the “syllabary.” The reserved repertoire is an oral work through oral tradition. The etiquette essay has undergone an evolutionary path from oral presentation to written essay, from the outline opera to the fixed play. The essay presents vivid oral literature features. After the founding of New China, the dramas and texts compiled and dictate based on dictation were the result of the collective memory of the artists. There are quite a few worth reflecting on the excavation of the play.