罗兰·巴特在描述“结构的客体化”时,认为“无论是在思想领域还是在诗歌领域,所有结构主义活动的目的就是要重塑客体,并通过这种重构来揭示在客体中发挥作用的规则或客体的‘功能’。因此,结构实际上是客体的一个类象(simulacrum),它能够把自然客体中不可见的东西,或者也可以说是难以理解的东西展现出来。”1如果以此来观察莫言的小说《酒国》,那么,文本的结构客体化方式是在复现“故事结构的古老原型”时,讲述了一个当下的“现代传奇”。 Roland Barthes, in describing the “objectification” of structure, holds that "all structuralist activity in the field of thought and poetry aims at reshaping the object and through this reconstruction to reveal that the object The function of the rules or objects that play a role in the structure, so the structure is actually a simulacrum of the object, which shows something invisible to the natural object, or what can be said to be incomprehensible. If one observes Mo Yan’s novel Wine Country, then the structure of the text is objectified in the way of reproducing the ancient prototype of the story structure, .