《戏剧报》1960年19、20期合刊中发表了温凌同志的《談京剧<滿江紅>中的岳飞》,文中在肯定京剧《满江紅》中岳飞这个舞台艺术形象的基础上,对这一人物的若干处理又提出了一定批評;并举出秦腔《满江紅》中《班师》一折对岳飞的处理,当作“較为妥貼”的实例,从而由对比之中引伸 On the basis of affirming the stage art image of Yue Fei in the Peking opera “Azolla”, “Theatrical Newspaper” published a joint speech by Wenling in “Yue Fei” about “Beijing Opera” Some treatment of this character has also put forward some criticisms; and cites the treatment of Yue Fei by a class of “class division” in the “Full Jiang Hong” of the Qin Dynasty as an example of “a more appropriate and concise manner,” thus extending from the contrast