“在乡土社会中,每个人不论贫贱,在世间有一个位份,有一种岁月静好的贵气和底气。在中国古代,士农工商形成了一个有序的社会结构。在不同的时期,从事传统工艺的人群分别隶属于不同的阶层、社会组织和文化结构。过去100多年来,‘工’这个阶层逐渐缩减并融入到现代社会结构中,直到今天,它的位份还没有完全找到。工匠精神的丢失过程,从社会学的意义来说,就是一个失序、失范、失位的过程。传统工艺的振兴,实际上就是重新寻找工匠恰当位份的过程。”—陈岸瑛 “In the native society, everyone regardless of poverty, there is a place in the world, there is a quiet life of extravagance and confidence .In ancient China, scholar and industry and commerce to form an orderly social structure.In different periods, The groups engaged in traditional arts and crafts belong to different strata, social organizations and cultural structures, respectively. For more than 100 years, the class of ’workers’ has been gradually reduced and integrated into the modern social structure. Up to now, its position has not yet been completely found. In the sense of sociology, the process of losing the artisan spirit is an out-of-order, anomous, and dislocated process. The rejuvenation of traditional crafts is in fact a process of re-finding the proper place for craftsmen. ”- Chen Anying