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离魂是中国古代文学作品中常见的情节之一。成长中的男性和女性遭遇了一个爱情的僵局:由于种种原因,父母不同意两人的结合。父母是权力的掌握者,代表着严肃的秩序。男性和女性为了打破僵局,或者站到权力秩序的对立面,或者得到权力秩序的认可。通过对文本的细读,我们可以发现男女采取了两种截然不同的策略,这两种策略使得故事能够一步步走向大团圆的结局。面对确定的历史矛盾,文学以叙事的方式试图找出某种理想的解决办法,虽然这种解决办法只是一种虚幻的解决,是无法实现的幻象,但这种幻象却有着深刻的现实意义,是对创伤性事件的治疗。
Lost spirit is one of the common episodes in ancient Chinese literature. Growing men and women have suffered a stalemate of love: parents for many reasons do not agree with the combination of the two. Parents are masters of power and represent serious order. In order to break the stalemate, men and women stand on the opposite of the power order or recognized by the power order. Through careful reading of the texts, we can find that men and women have taken two very different tactics. Both of these tactics make it possible for the story to move towards a happy ending step by step. In the face of definite historical contradictions, literature attempts to find some solution to the problem by way of narration. Although this solution is only an illusory solution and an unrealistic illusion, the illusion has profound practical significance , Is the treatment of traumatic events.