我和魏明伦并不相识,或者说,我认识他而他不认识我。因此,可避“吹捧”之嫌。我要说,我很爱看他编写的戏。他的《易胆大》、《四姑娘》、《巴山秀才》、《潘金莲》等我均看过。他的每一个戏,都各具特色,不仅与他人不相雷同,还与自己绝无重样。1986年,我看过《潘金莲》后,写了一篇短文,发表在《戏曲艺术》第4期上,题目是《下一个“不这样”,好!》果然,1992年来北京演出的《夕照祁山》就是与《潘金莲》不一样! I do not know Wei Minglun, or that I know him and he does not know me. Therefore, avoid the “touted” suspicion. I want to say, I love to see his play. His “Yi Dan bold”, “Four Girls”, “Bashan scholar”, “Pan Jinlian” so I have seen. Each one of his plays, each with its own characteristics, not only with others, but also with their own weightless. In 1986, after I read “Pan Jinlian,” I wrote an essay and published it on the fourth issue of “Drama and Art” titled “The Next” is not “Good!” Sure enough, in 1992, Sunset in Qishan “is with” Pan Jinlian "is not the same!