魏紫熙先生是上世纪下半叶“新金陵画坛”的代表画家之一,早年研习传统,师从清代“四王”一脉,并上溯南宋刘、李、马、夏四家,有着深厚的传统功夫,又注重时代新意,并较早涉足写生。上世纪40年代受到赵望云的影响,50年代任职江苏省国画院后,又受到傅抱石的启示,参与组织并参加了当年江苏画家著名的“两万三千里写生”和现代中国画史上具有划时代意义的“山河新貌”画展,他 Mr. Wei Zixi was one of the representative painters in the “New Jinling Paintings” in the second half of the last century. He studied tradition in his early years and followed the pulse of the “four kings” from the Qing Dynasty. He went back to the four liu, li, ma and xia , Has a profound traditional kung fu, but also pay attention to new ideas of the times, and earlier involved in sketching. In the forties of the last century, he was influenced by Zhao Wangyun. In the 1950s, after taking the post of the Painting School of Jiangsu Province, he was inspired by Fu Baoshi and took part in organizing and participating in the famous “twenty-three thousand sketch” of Jiangsu painters and the history of modern Chinese painting Epoch-making significance “new appearance of mountains and rivers” exhibition, he