多次参加过北京人民艺术剧院召 开的纪念活动或学术座谈会,所有这些活动或座谈会都有一个几乎不变的主题——焦菊隐及人艺风格。这是可以理解的。北京人艺在长达半个世纪的艺术实践中,为观众呈献了一大批色彩纷繁的优秀剧目,造就了一大批技艺精湛的导、表演艺术家,给人们留下了不可磨灭的印象,说她是中国话剧院、团的排头兵也不为过。焦菊隐先生作为北京人艺的总导演,是“北京人艺风格的创造者、创始者”（曹禺先生语）。他与著名作家老舍,与导演夏淳,与于是之、郑榕、黄宗 Many times participated in the commemoration activities or academic symposiums held by the Peoples Art Theater in Beijing. All of these activities or symposia have an almost unchanged theme - Jiao Juyin and art style. This is understandable. During the half century practice of art in Beijing, Peking Opera presented a large number of excellent repertoire to the audience and created a large number of superb art directors and performing artists, leaving an indelible impression on her that she Is the Chinese Theater, the vanguard of the regiment is not an excuse. As the general director of Beijing Art, Jiao Juyin is the founder and founder of Beijing Art Style (Mr. Cao Yu). He and the famous writer Laoshe, director Xia Chun, and then, Zheng Rong, Huang Zong