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此剧为翁偶虹先生为李少春袁世海二位所写,剧中台词设计也多是量身定制,后因事李袁未能首排,谭富英、裘盛戎首排此剧。裘盛戎先生发挥自我所长,增加了一段西皮二六,一经传唱成为传世经典。悔悟的一折二黄导板原板转碰板也是字字珠玑流畅传神,堪称经典。服装脸谱也进行了很多润色和修改。我于戏校随裘盛戎先生弟子姚憾岳先生学习此剧,进团后多次演出,随着年龄和舞台实践的增加,对此剧和廉颇这个人物有了一些自我的认识。
This drama is Weng Hong for Li Shaochun Yuan Shihai written by two, the play is also mostly tailor-made lines design, failed because of the first row Li Yuan, Tan Fuying, Qiu Shengrong the first row of the play. Mr. Qiu Shengrong play self director, an increase of a period of Xipi 26, once sung as handed down classics. Reminiscence of a set of two yellow guide board original board to change the board is also a kind of smooth, vivid, be called classic. Clothing facial mask also made a lot of polish and modify. I studied with Mr. Yao Shengyue, a disciple of Mr. Qiu Shengrong, at the opera school. After going into the troupe, he performed many times. With the increase of age and stage practice, I got some self-awareness about this play and Lian-Po.