为了设计这一满足集体生活需求、但精神生活不受宗教规定制约的佛教徒之家,建筑师不仅需要设计建筑本身,还需避免在建筑中显现出有失偏颇或过时的宗教理解。为了与旧建筑保持联系,两层的住宅和顶层平台都伸向天空。这种设计既可以解释为象征重新开始的机会,同时也起到了强调建筑屋脊线的效果。 To design a Buddhist home that meets the needs of collective life but whose spiritual life is not governed by religious rules, architects need not only to design the building itself, but also to avoid showing in the building a biased or outdated religious understanding. To keep in touch with the old building, the two-storey house and the top deck all project to the sky. This design can be interpreted both as a symbol of the resumption of the opportunity, but also played an emphasis on the ridge of the building effect.