一淡中见浓形散神不散影片的结构是散文式的,编导没有组织集中强烈的戏剧冲突,表现的是老方淡而散的旅行生活和家庭关系中发生的平常事件,象忘了作报告,向大儿媳表示抱歉啦,买了水果等着想见一见未来的三儿媳啦,等等。这些平淡、琐碎的小事,不是作为一个一个环节构成戏剧链条,引出跌宕起伏的故事情节,但是都聚集到老方内心感绪这个焦点上,既象生活,自然、平淡,却又淡中见浓,给人以强烈的情绪感染。二反复缠绵婉转曲达老方的旅程是一条线,为避免乏味和松散,编导以婉转曲达的手法来叙述。如探望三儿,上门不见, In a humble opinion, the concentration of scattered film does not scatter the structure of the essay, the director does not organize a strong drama conflict, the performance of the old Fang scattered travel and family relations in the ordinary events, like forget Make a report, apologize to the eldest daughter, buy the fruit and wait for the next three daughters, wait. These plain and trivial things do not constitute the chain of drama as a part of one another. They lead to ups and downs in the storyline, but they all gather in the focal point of the old man’s innermost feelings, which are both life, nature, plainness, but weakness , Gives a strong emotional contagion. Two repeatedly touching Miandu Lao Fang’s journey is a line, in order to avoid boring and loose, directed by the way to describe the melody. Such as visiting three children, come to see,