由于种种缘故,抗战时期敌后战场文学缺少系统而全面的梳理与研究,这同文学史及抗战史历史还原的要求不符。全面抗战爆发后,中共适时调整文艺政策,适应抗战需求的文艺团体纷纷成立,边区及根据地积极办学,加速培养抗战急需的人才,大批文艺工作者走上敌后战场。书写敌后战场作品较多的是身在边区与根据地、敌后战场部队的文艺工作者。根据地干部与敌后战场官兵亦有不少创作。不同身份、不同视角、不同文体、不同风格,共同描绘出敌后战场的宏伟画卷。敌后战场文学不仅内涵深厚博大,如实地反映了抗战的历史真实,向世界传达出民族脊梁雄壮而坚韧的生命脉息,为历史留下确凿的记忆,而且在审美的民族化、大众化、多样化方面有了长足的进步,表现出区别于正面战场文学与大后方文学的独特风采。 Due to various reasons, the literature on the battlefield behind enemy lines in the period of the Anti-Japanese War lacks a systematic and comprehensive review and study, which is inconsistent with the historical demand of literary history and the history of the Anti-Japanese War. After the full launch of the Anti-Japanese War, the CCP readjusted its literary and art policy in a timely manner. Literary and art groups that adapted to the demands of the war of resistance were set up one after another. Schools in the border areas and in the base areas were active in running schools so as to speed up the cultivation of talents much needed by the war of resistance. A large number of literary and art workers took the battlefield behind enemy lines. Writing more works behind the enemy’s battlefield is in the border area and the base, behind the battlefield forces of literary and art workers. There are also many creative creations of cadres and enemy officers and men behind enemy lines in the base areas. Different identities, different perspectives, different styles, different styles, together describe the magnificent picture of the battlefield behind enemy lines. Enemy behind the battlefield literature not only deep and broad connotation, truthfully reflect the historical realities of the war, to convey to the world the magnificent and tenacious spine of the nation spine, leaving a solid memory of history, but also in the aesthetic nationalization, popularization, diversification With great progress, it shows the unique style distinguished from the frontal battlefield literature and the great rear literature.