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一、自然美学精神的缘起“自然美学”是传统文化中重要的美学精神。“自然”一词在先秦著作中就已出现,是中国儒道传统哲学共同的追求。老子曾阐释过:“人法地,地法天,天法道,道法自然。”“自然”被道家认为是最高境界。孔子在其《论语·雍也》中强调:“智者乐水,仁者乐山。”这种归于山水自然的“中和”之美也属于“自然”的审美范畴。道家与儒家在“道”归“自然”这点上存在共通性。而追求“自然”在美学范畴上则表现为“自然美学精神”。有学者把以老子为代表的道家的自然美学精神理解为:“以‘无为’为核心价值的自然精神美学观……‘无为’代表了宇宙万物遵循的规律,大地中生命成长的自然状
First, the origin of natural aesthetics Spirit ”natural aesthetics “ is an important aesthetic spirit in traditional culture. The word ”nature“ has appeared in the pre-Qin writings and is the common pursuit of the traditional Confucianism and Taoism in China. Lao Tzu has explained: ”Man of the earth, the land of Heaven, Heaven Road, Tao of natural. “ ”Natural “ is considered by the Taoist is the highest state. In his The Analects of Confucius Yong Yong, Confucius emphasized: ”The beauty of the water and the benevolence of Leshan.“ The beauty of ”neutralization“, which is attributed to the natural and natural landscape, belongs to the aesthetic category of ”nature“. Taoism and Confucianism have commonality at the point of ”Taoism“ and ”nature“. The pursuit of ”natural“ in the field of aesthetics is manifested as ”natural aesthetics “. Some scholars interpret the Taoist natural aesthetics spirit represented by Lao Tzu as: ”the natural spiritual aesthetics with the core value of“ inaction ”...“ inaction ”represents the law followed by all things in the universe, the natural state of life’s growth in the earth