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“从传统起步的画家,在对艺术道路进行抉择时,几乎本能地走出了具有更大自由、更为广阔的现代艺术空间,他们的行为,加速了古老文人画的现代蜕变”①。自20世纪80年代中期开始,出现了一批具有探索精神的中国画艺术家,他们对自己以往的艺术语言进行解构,尤其是进入20世纪90年代,从价值观念、思想主题、表现形态、文化情绪等方面,进行了积极的探索与实验。现为武汉华中师范大学美术学院副教授的王余,多年生活在西北,深厚的生活积累和对西部高原地域的自
“Artists who started from the tradition almost instinctively stepped out of the modern art space with greater freedom and broaderness in their choice of the art road. Their actions accelerated the modern transformation of the ancient scholarly paintings.” Since the mid-1980s, a group of Chinese painting artists with exploration spirit appeared. They deconstructed their own artistic language, especially into the 1990s. From the values, ideological themes, expressions, cultural sentiments, etc. In terms of positive exploration and experiment. Wang Hu, an associate professor at the School of Fine Arts in Huazhong Normal University in Wuhan, lives in the northwest for many years and has accumulated profound living and self-cultivation activities in the western plateau region