平时经常听一些藏友念叨:好字不如烂画。出自同一名家之手的画和书法作品,非要二者选其一的话,其宁可选择稍差一点的画,也不会选择好的书法作品。其实,这是一个误区。过去,我也常受这一观点的影响,与许多名家书法擦肩而过,如今深感遗憾。几年前,一位多年不见的儿时玩伴回家探亲。他知道我喜欢收藏,便主动提出,要将自己家中一幅谢稚柳老先生为其创作的精品书法作品,赠送给我作纪念。闲聊中得知,谢老先生不仅书法写得很好,而且绘画水平也很高,更重要的他还是一位大名鼎鼎的收藏鉴定家,是国务院文物鉴定委员会五人小组成 Usually listen to some Tibetan friends often talk about: bad words as bad pictures. Paintings and calligraphic works by the same masters prefer to choose slightly less paintings if they choose either, and they will not choose good calligraphy. Actually, this is a misunderstanding. In the past, I often feel the impact of this view, and many famous calligraphy pass, now deeply regrettable. A few years ago, a multi-year childhood playmate went home to visit relatives. He knew that I like the collection, they took the initiative to put forward to my home, thank a child Mr. Chi Liu for his creation of fine calligraphy, presented me as a memorial. Gossip that, Mr. Xie Lao not only well-written calligraphy, but also a high level of painting, more important, he is still a famous collection of appraisers, the State Council Cultural Relic Accreditation Commission of five small group