对新疆文化馆美术部主任、副研究馆员帕尔哈提·依布拉音来说,自己做了一辈子的新疆维吾尔农民画至今没有走向全国和世界,是他心里永远的痛。“我马上就要退休了,每年都要在新疆各地举办多场农民画培训班,明显感觉这个深受新疆维吾尔农民喜爱的艺术品种,没有得到发扬广大,心里很急。它可是我们新疆的宝贝呀。”帕尔哈提·吐尔逊深有感慨地说道。 As far as Parhati Ibrahim, art director and deputy research librarian of the Xinjiang Cultural Center is concerned, the Uighur peasant painting himself who has done his whole life in Xinjiang has not gone to the entire country and the world until now. It is a pain forever in his heart. “I am going to retire soon. Every year we have to hold more training courses on farmer painting throughout Xinjiang. It is obvious that this art breed favored by Uyghur farmers in Xinjiang has not been developed widely and is in a hurry. It is our Xinjiang Baby, ”said Parhati Thursson with deep feeling.