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近年来,皮影收藏越来越热,但收藏热了,皮影表演的艺人和观众却越来越少,皮影正在成为一种死亡的艺术。如果说,整个社会的发展强调以电视、电影来代替皮影戏这一例子似乎已是当前的事实,那么,为了保存过去世世代代的文明特征而作出的一切努力就更为重要了。当然,传统艺术的保护更多依赖于艺术形式的本身。如何挖掘传统艺术的时代魅力,使之具有一定的经济效益,是我们首先需要解决的问题。作为皮影,除了在剧目上应该有所更新,也可以适当考虑把皮影作为一种表演,纳入旅游发展的规划之中。我坚信皮影艺术不会死,它携带着的美和想象力是这个民族永存的气质。
In recent years, the shadow collection is getting hotter, but the collection is hot, and there are fewer artists and audiences in the shadow show. The shadow is becoming an art of death. If the development of society as a whole emphasizes the fact that the use of television and film instead of shadow play seems to be the current fact, then all efforts to preserve the cultural characteristics of past generations have become even more important. Of course, the protection of traditional art depends more on the art form itself. How to tap the charm of the times of the traditional art so that it has certain economic benefits is the problem that we must first solve. As a shadow, in addition to the repertoire should be updated, but also can give due consideration to the shadow as a show, into the planning of tourism development. I firmly believe that shadow art will not die, it carries the beauty and imagination is the eternal temperament of this nation.