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空间是有记忆的,它清楚地刻画着每个阶段的习惯态度;空间是有想法的,它大方地透露了主人的情绪气质。在小松工作室里,我深刻地感受了这一点。松永生是一个冷中带热、简中有繁的人,这可从他眼中所望出去的空间和他笔下的线条嗅得。小松在他的创作集里这样写到:“不管是痛苦还是欢乐,禁果已经吃了,那就充分利用和享受巨大代价换来的智慧与思维。”感觉有点复杂,其实很简单,就像他的人一样。
Space is memory, which clearly depicts the habitual attitude of each stage; space is thoughtful, it generously revealed the master’s emotional temperament. In Komatsu’s studio, I deeply felt this. Matsunaga is a man of cold, medium, and fanatic who sniffs out the space he looks out of and the lines he draws. Komatsu wrote in his book: “Whether it’s pain or joy, the forbidden fruit is already eaten, and it takes full advantage of and enjoys the wisdom and thinking at a great price.” It feels a bit complicated and actually very simple Same person.