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20世纪50年代中国画的改革,实际是一次社会文化的建构与调整。在这个过程中,山水画通过题材、景象、空间图式、观念等革新,增强了自身的写实性、叙事性、象征性功能,对新中国的历史时间段和空间特征进行了直接或间接表现,成功地标识了鲜明的时代艺术特征。钱松喦是一个跨越民国和新中国的山水画家,也是那一时期中国画改造运动中的典型代表,其山水画表现题材的演变,既有时代文化趋向的因素,也有成长经验、心智等个人灵性发挥的因素,是一个复杂的演化过程,也具有时代代表性。1899年,钱松喦生于江苏省宜兴具西乡
The reform of Chinese painting in the 1950s is actually a social culture construction and adjustment. In this process, the landscape painting enhanced its realistic, narrative and symbolic functions through the innovation of theme, scene, spatial schema and concept, and directly or indirectly represented the historical time and spatial features of New China. Successfully identified the distinctive characteristics of the times. Qian Song-yan is a landscape painter across the Republic of China and the People’s Republic of China, as well as a typical representative of the Chinese painting reformation movement in that period. The evolution of his landscape paintings has both the elements of the trend of the times and the personal spirituality such as growth experience and mind. The factor is a complex evolutionary process, also has the representative of the times. In 1899, Qian Songyan was born in Xixiang, Yixing, Jiangsu Province