六朝时期是中国艺术精神高度自觉与觉醒的时代，是审美自我、内观虚静、存我思神的典型审美性格理论的诠释，它给我们呈现着完全不同于西方雕塑美学的艺术特征和文化神韵内涵。它上承两汉的大气恢宏的石雕风格之特点，下开唐风新脉，形成了古拙、深厚、细腻的古朴风格，既是中国古代文学的结晶，又是石雕艺术承载着深厚的“本外文化”的使命。它不仅蕴含了对艺术作品创作、凝神遐想和简约玄澹的具有独特理念认识。“,”Six Dynasties represents a period when the Chinese art was highly conscious and awakening, which is the interpretation of the typical aesthetic character theory of aesthetic appreciation of the self, introspection of emptiness, thinking of the soul in the self-being. It presents to us sculpture aesthetics, art characteristics and cultural charm connotation completely diferent from Western art. It inherits the magniifcent stone carving characteristics in the Western Han and Eastern Han Dynasties and opens the new veins of Tang Dynasty style, forming an unadorned, deep , delicate rustic style, which is both crystalization of ancient Chinese literature and the mission of profound “native and foreign culture” that stone carving art carries. It not only contains a unique understanding of the concept for the art works creation, attentive imagination and simple, mystery and calmness.