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文徵明是明代江南的杰出画家,“博综古人”是明清画家对他的艺术渊源的概述。然而,作为“江南画”之祖的董、巨则对文徵明的影响却是较为薄弱的,通过本文详尽分析发现,文徵明对于董巨画风的理解,主要是在所见巨然《庐山图》和《治平寺图》的基础上,配合了画史文献的记载及二米、元四家、沈周的间接作用下形成的。
Wen Zhengming is an outstanding painter of the Jiangnan in the Ming Dynasty. The book “The Ancient Man of the Academy” is an overview of his artistic origins by Ming and Qing painters. However, as the ancestor of “Jiangnan Painting”, the influence of the giant on Wen Zhengming is relatively weak. Through a detailed analysis of this article, Wen Zhengming’s understanding of Dong Ju’s style of painting is mainly reflected in what he saw On the basis of the great “Lushan map” and “Zhiping Temple map”, it cooperates with the records of the history of painting and the indirect effects of the two meters, the Yuan four and Shen Zhou.