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这些年一直密切关注版画市场的广州艺术家简仁山介绍,在所有艺术门类里边,版画是为数不多能够兼具学术性、装饰性和现代艺术感于一身的艺术表现形式,对于一些刚入门的收藏爱好者来说,其门槛低、投入少,不管是从个人收藏,还是从投资的目的来看,都是不错的选择。目前,由于国内藏家对版画的认知普遍只停留在插图和装饰画的狭隘层面,并没有深入体悟和接受这一传统艺术表现形式的独特内涵,导致版画市场在国内的发展远远落后于中国书画、油画和当代艺术等其它版块,其活跃程度甚至不如篆刻印章、瓷版画、文房四宝等一些收藏界公认的“小盘股”。
Jianren Shan, a Guangzhou artist who has been paying close attention to the print market all these years, introduces that among all the art categories, printmaking is one of the few artistic expressions that combine academic, decorative and modern art. For some newly acquired collections Fans, the threshold is low, less investment, whether from personal collection, or from the purpose of investment point of view, are a good choice. At present, the recognition of printmaking by domestic collectors generally stays on the narrow level of illustration and decorative painting, and does not deeply understand and accept the unique connotation of this traditional artistic expression. As a result, the development of the printmaking market in China lags behind Chinese painting and calligraphy, oil painting and other contemporary art and other sections, and even less than the level of activity such as seals, porcelain prints, four treasures and other collection industry recognized “small cap ”.