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刘大为笔下的蒙藏牧民绘画,延续了20世纪30年代以来的中国边疆人物画传统。他的水墨人物画创作吸收了西方绘画的空间表达方式,将人物所生存的环境与人物的表达置于同等重要的位置,更好地表达人物与环境的一体性,从而获得了可信的生活真实感。他以中国水墨画所特有的流动与透明的特质,生动地表达了人生的命运与历史的永恒,很好地表现了画面的主体精神。刘大为作品的意义,就在于他的艺术追求超越少数民族形象之上的人性的重归。
The paintings of Mongolian and Tibetan herdsmen under the text of Liu Dawei continued the tradition of Chinese border figure painting since the 1930s. His ink painting creation absorbs the space expression of western painting, places the environment and character expression of the character in the same important position, and better expresses the integrity of the character and the environment so as to obtain a credible life Realistic. He vividly expresses the fate of the life and the eternity of history with the flowing and transparent traits peculiar to Chinese ink painting, and shows the main spirit of the picture very well. The significance of Liu Dawei’s work is that his art pursues the return of humanity that goes beyond the image of ethnic minorities.