如果说20世纪90年代是中国经济发展的转折点,那么当代可以说是“泛经济”时代,社会的方方面面都可以与经济发生联系,经济关系甚至成为一种万能的利益杠杆,经济关系的本质成为利益的交换。在经济至上的时代,艺术家、艺术作品乃至评判原则都可能成为牺牲品,其核心价值——文化价值,往往也被经济大潮所掩盖。因为文化价值和经济价值往往是不对等的,二者之 If the 1990s are the turning point of China’s economic development, then contemporary can be said to be “pan-economic” era, all aspects of society can be linked with the economy, economic relations and even become a universal lever of leverage, economic relations Essence becomes an exchange of interests. In the era of economic supremacy, artists, works of art, and even the principle of judgment may all become victims. Their core values, cultural values, are often overshadowed by economic tides. Because cultural and economic values ​​are often unequal, both