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中国近代报人梁启超,堪称“为情而造文”的大师,他那“笔锋常带感情”的文字,至今读来,仍觉热血沸腾。无产阶级新闻事业的杰出战士范长江,他留下的《中国的西北角》和《塞上行》这对双璧,也是浸透着爱国激情的高亢之作。建国后出现的以《谁是最可爱的人》、《县委书记的榜样——焦裕禄》为代表的一批优秀通讯作品,文中洋溢的崇高情感,更是激励了几乎整整一代人。相对而言,中国的新闻写作更重视情感的因素。西方的新闻虽标榜为“客观报道”,力戒“主观色彩”,但也并非真正排斥感情的介入。他们所强调的“人情味”,实际上,正是一种情感因素。
In the modern China, Liang Qichao, the man in charge of newspaper making, is called the master of “making love for his affections.” Fan Changjiang, an outstanding warrior of the proletarian journalism, and his “two northwestern corners of China” and “ceasing to go upwards,” are also high-pitched dwellings full of patriotic passion. After the founding of the PRC, a group of excellent communication works represented by “Who is the Most Lovely Person” and “County Party Secretary Model - Jiao Yulu” emerged from the founding of the People’s Republic of China, and the lofty sentiments in the article inspired even an entire generation. Relatively speaking, China’s news writing pays more attention to emotional factors. Although Western news is advertised as “objective reporting” and as a warning against “subjective color,” it does not really exclude the involvement of feelings. The “human touch” they emphasize is, in fact, an emotional factor.